Hey ya’ll, how’s it going? If
you’re just joining us, and haven’t read either the comments on my Scorpion
villain profile or the seventh viewer log of the Iron Fist Netflix series,
here’s a quick summary of why I’m doing this. An anonymous reader let me know
that they were interested in getting into Marvel Comics, and were wondering
where was the best place to start. A how to guide for newbies, as they put it.
While I’m happy to dispense my knowledge and experience on the subject, the
question is both simpler and yet more difficult than one might expect. Why?
Because comics have been around a LONG time, and the stories continue to march
on. That’s a LOT of content to sift through, and honestly I can’t suggest you
start from the very beginning. Let’s get to it, shall we?
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A slight misnomer, but an excellent start for anyone. |
We’ll begin with the most basic
place to start. In both the comment and the opening paragraph of Iron Fist ep
7, I suggested that anyone interested in Marvel comics really should check out
Marvel.com. This is for two reasons. One, Marvel offers a service called Marvel
Unlimited. For a monthly fee of $9.99, you can get access to a major archive of
Marvel comics. You can read any of the titles marked as Marvel Unlimited (which
is most of them) on any device. And, in the case of phone or tablet, you can
use their app to download up to ten comics onto your device and read them
offline, so you can spare your data. As
nice as all of that is, there are a few… drawbacks. For starters, with the
basic Marvel Unlimited account there is a sixth month delay on titles. So, you
can’t read their newest issues, obviously. And, if you were interested in a
more obscure character, their archive is patchy. For example, last time I
checked they were missing a few hundred issues of Daredevil’s early years. Can’t
necessarily blame them---Matt Murdock has only really become a household name
in the last few years, so it’s reasonable that they don’t have all of his
issues. And, the modern Devil of Hell’s Kitchen bares only a passing
resemblance to his original self. I’m getting ahead of myself, let’s get back
on track. The second reason is that, even if one doesn’t have a Marvel
Unlimited account, you do have access to the basic features of the site. You
can look up different comic series, characters, and even look things up based
on comic wide events. Like the Infinity Wars, the Superhero Civil War, the
Secret Wars, or, Avengers vs. X-Men. By clicking on the series or character,
the site gives you both the core issues of their series, as well as any and all
tie-ins to said series in order. So if, for example, you wanted to read up on
the Infinity War in preparation for Avengers 3 and 4, you can see both the main
story and any and all side stories. In this way you can get the full scope of
what the event means. I suggest this approach, whether you want to read the
comics online or if you want to get something physical to hold.
Okay, you may be saying, I know
where to start looking for the comics, Michael, but where should I start
READING the comics? That’s a bit trickier.
Now, if you’re planning to read a
series that began being published in the last decade or two, you can start from
the beginning no problem. Comics that fall under this category include, but are
not limited to, The Runaways, Miss Marvel (Kamala Khan version), Toxin, or anything that falls under the
Ultimate series. For the first three I mentioned, and others like them, you can
start their stories from the beginning with little to no knowledge of the
Marvel Universe at large. Since they’re the literal start for these characters,
they let you take baby steps towards the main Marvel universe at large. All you
really need to know going in is that this is the Marvel Universe, and
regardless of how mundane the opening situation is, a gathering of wealthy elites
and their children, a teenage rager of a party, or checking out a minor noise
complaint, things are about to get SUPER weird. Like pacts with demons,
terrigan mist bombs, or being bonded to a chaotic neutral alien monster kind of
weird. You’ll get to know the characters that are key to the story, how they
fit into or don’t fit into the usual world they live in, what they think of
current in-universe events, and so on. And, when they introduce a more
established character, they do give you the general idea of who they are and
why they may matter to what is currently going on. For example, at one point
the new Miss Marvel, Kamala Khan, meets Wolverine for the first time. She
explains who he is, that he’s one of her all-time favorite X-Men, and that
she’s holding back a “squee.” She’s a dork after my own heart. As their sewer
adventure continues, Wolverine himself explains some of the things going on
with him, most specifically that at the time he had lost his healing powers. He
doesn’t go into all the details, mind you, but it is a nice reminder that
Kamala is just a small part of the much grander web we’re dealing with here.
Alternately, you can start any
comic that falls under ‘Ultimate Marvel’ title for an entirely different
reason: It is its own universe. Let me explain. Back in the late 90s and early
2000s the comic book industry had hit a major downturn. A lawyer who worked for
Marvel comics, Bill Jemas, suggest that the massive 60+ year continuity was
what scared off a lot of new readers, and caused longtime fans to eventually
burn out from. His suggestion was a big fat reset, start a new line of comics
that could both update the characters in a more modern setting, and allow for
an entirely new continuity of stories to exist. So Marvel took this idea and
ran with it, creating the Ultimate Universe. They kept the original universe going, to please long time fans, FYI. Ultimate Marvel took existing heroes (Spider-Man, Iron Man, Captain
America, the X-Men and so on) and reimagined them as being products of the new
millennium. Well, everyone except Cap, obviously---they just defrosted him
several years later than before. This
allowed the characters to reach out to a new generation, and also create a
more… cohesive story right from the start.
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Not a terrible costume, but still not very good.
Kind of glad we're kind of forgetting about this. |
What do I mean? Well, unlike Stan
Lee and his compatriots from back in the day, the writers for Ultimate Marvel
DID have forty to sixty years of source material to draw upon. Where, for
example, back in 1963 Stan Lee and artist Steve Ditko had to think up new
characters, conflicts and stories on a weekly basis, the newer writer Brian
Bendist had all of the Spider-Man characters and stories to pick and choose
from. So, while certain things like Peter Parker’s home life, his uncle Ben and
Aunt May, and his…we’ll call it a… falling out with the Osborn Family were more
or less set in stone, they could play around with a lot of other things. Rather
than have Peter and all of his enemies randomly gaining their powers through
multiple lab accidents and experiments, Bendist tied a lot of it back to Norman
Osborn and his company Oscorp, which is something Lee and Ditko couldn’t do
since Norman and Harry Osborn, and the family company of Oscorp weren’t
introduced until a year or more into publication. In the original story, Peter
was bitten by a radioactive spider that gave him powers and he later battled
many costumed villains who gained their powers through several other random
accidents. In the Ultimate storyline, Peter is bitten by a genetically enhanced
spider that had been treated to a performance enhancing Oscorp drug called OZ.
Norman’s obsession with recreating the effects of said bite, he had illegal
surveillance of Peter’s enhanced abilities, is what eventually lead him to
accidentally turning himself into “The Goblin,” as well as turning chief Oscorp
Scientist Otto Octavius into Doc Oct, and lead to the creation of several other
villains that later beset Peter. A much more focused story, wouldn’t you say?
Granted, the Ultimate series isn’t
perfect. Captain America is much more intolerant and a tad xenophobic at times
from my taste. A man who recently time hopped from WWII would NEVER belittle
the French people by calling them cowards, is all I’m saying. And certain
characters are taken down… disturbing routes. I haven’t read the Ultimate X-Men
myself, but have it on good authority that the characters of Quicksilver and Scarlet
Witch have a very twisted relationship in this iteration. Think of the kind
that fellow twins Cersei and Jamie Lannister have in Game of Thrones. Gross. So
again, not perfect, but you can start from the beginning with no trouble.
Granted, the entire Ultimate Marvel Universe was effectively erased in an event
not too long ago, but several characters and stories have been brought over to
the main Marvel Universe, the best example being Ultimate Spider-Man’s
successor, Miles Morales. So there is still merit in reading them.
Okay, Michael, I hear some of you
saying, but I want to read stories about Iron Man, Spider-Man, Captain America,
and/or Wolverine. From the main series, the stuff that they focus on for the
movies and stuff. Where do I start with that? And in all honesty, I can say
start from wherever. Keep in mind, comic books were designed to try and get
someone hooked in regardless of when they started the story, be it issue 1 or
101. Granted, if you start in the middle of a longer running story arc it’s a
little bit harder, but by in large, you can start at any time and get the gist
of what’s going on. Any longer running characters that may pop up are usually
reintroduced in a quick blurb or two when they appear, (example, “Hey look,
it’s my good buddy Deadpool, I haven’t seen you since we saved the world
together two months ago”). There’s also typically an asterisk and a margin note
letting you know what issue off what comic to look up to see this previous
adventure.
Does it seem like I, Michael T.
Johnson, the soul content creator of Basics of Superheroes, self-proclaimed
super-geek and geek for super people, am trying to stop you from reading the
comics straight through from the very beginning? Do I have something against
the early comics? The answer is no… but yes. Kind of. Sort of. Maybe. Stan Lee’s stuff hasn’t aged well! There
I said it. Stan, if somehow, some way you are reading this, I’m sorry. I love
you man, and greatly appreciate all you’ve done for comic books and the super
hero genre. But, your early issues have some of the Dumbest Plots I’ve ever
seen. I mean, seriously? Spider-Man runs into the Sandman after their first
encounter because the big dumb collection of silicon wants to steal a diploma
from Peter Parker’s school? Honestly? And don’t get me started on the fact that
the early women of Marvel were pretty much all the same person with slightly
different hairdos. All secretly (but not really secretly) fawning over the
hero. So silly. Maybe I just don’t appreciate these stories like someone from
back in the day might. I am a 26-year-old ‘90s kid’ after all. Sixty years
really can change the public’s ability to appreciate a work. Just saying.
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One of these things is not like the others.
One of these things is lame. |
Also, keep in mind that the Marvel
comics have been going on for decades. And in that time, characters are written
in, written out, have their back stories rearranged, switch from good to bad to
good again, gain powers, lose powers, gain status, lose status, change careers,
die and get brought back to life again. It’s a… complicated web of events, to
say the least. The best example I can think of for this fluctuating and
changing is with Daredevil. If you don’t recognize the name, he’s widely
considered to be Marvel’s counter to Batman. He’s a highly skilled ninja who
battles all sorts of dark and twisted foes, who often finds himself in the
morally gray area that his fellow heroes avoid. He’s also legally blind, but
has enhanced sense to make up for it. This is not at all how he started out.
Other than the blindness, obviously. In the beginning, he was much more akin to
fellow Marvel character, Spider-Man. Yeah, when he started out he was more of a
wise cracking super-person, that dressed in bright brown and yellow, beating up
bad guys, not with his iconic batons, but with a cane. Like an old person, Shepherd’s
hook style, cane. And there was an entire subplot about Daredevil considering
including a cap with his costume to hide his regular gear when acting as
Daredevil. And who, in his first encounter with the villainous mind controlling
Purple Man had to mentally debate if it was illegal to ‘ask someone to break
the law.’ He also used to battle a portly crime boss called the Owl who could
glide for some reason. Not really the stuff of a ninja warrior, now is it? He
got the change around in the late 1970s, when author Roger McKenzie took over
and made the story significantly darker and rewrote much of the character’s
background. This was over 150 issues in, over 15 years in. That’s a LOT of
stuff to just kind of write out.
That’s a lot of stuff to digest…
hm… ah, here’s a better way to put it. Most people these days seem to treat
Marvel comics like a book. They think that there is a definitive beginning, a
perfect place to start. And, largely, that is untrue. They’ve spend decades
designing the stories, and the way they are told, so that one could literally
pick up any issue and hopefully get sucked in. The nature of this structure has
its pros and cons, but that’s a topic for another time. In the end, all you
really need to do is pick a medium to view it, pick a character or particular
event you want to read, and just start. And that’s all there really is to say
about that. I hope this has been instructive. If anyone has any further
questions, or would like to hear what I think are some of the better comics to
start with, feel free to ask in the comments below. Have a good night.
Twitter: @BasicsSuperhero
Patreon: https://www.patreon.com/user?u=2761062