Friday, February 24, 2023

Villain Profile: MODOK

 Mental Organism Designed Only for Killing, and Comedy.

I had a long day, so let’s talk about something incredibly silly. The Mental Organism Designed Only for Killing, MODOK and his history. The grotesque floating head rides the line between being grotesque and terrifying, to being just too damn silly to be taken seriously. Sometimes he’s a homicidal maniac that’s barely able to contain himself. Other times, he’s the butt of every joke. But, who is the man behind the giant floating head? Let’s investigate it.

 

MODOK, an oversized human head inside a gold suit of robotic armor with small arms and legs. He's wearing a headband with a crystal in the center that is glowing faintly.
Yeah, he had no chance of being good.

MODOK began life as George Tarleton. George was a technician in the Advanced Idea Mechanics, aka AIM. AIM is a group of scientists and engineers that outfit the Marvel universe’s various evil organizations with weapons, vehicles and other tech. His father, Alvin Tarleton, founded the group in the main Marvel continuity. While not being the most stellar beekeeper in the hive, yes that’s a joke about their silly yellow hazmat suits, George was the one that finally cracked the Cosmic Cube (aka the Tesseract) that could grant the wielder phenomenal cosmic power. In order to better understand and optimize the Tesseract, George was selected to undergo a process to transform him into the ultimate super intelligence. He was put through a mutagenic prosses that basically turned him into a floating head with tiny arms and legs. The process massively increased his intellect and granted him psychic powers, so there were a few upsides. He was originally designated as the Mental Organism Designed only for Computing, MODOC with a C, upon his completion. MODOC spent some time studying the Tesseract and making improvements on it and its containment matrix, before deciding a being of his superior intellect really should be the one running things around here, killed his creators and put himself in charge of AIM, changing the C to K in his name after slaughtering them all.

 

As AIM is in the black market arms business, albeit the crazy, SciFi branch of it, he is mostly a mercenary villain. I use this term for bad guys that don’t have a specific hero that they fight against regularly, the Green Goblins or Red Skulls of comics, and instead fights any hero that they cross paths with. He’s gone up against the biggest names in Marvel, though, like Captain America, the Hulk, and Iron Man. He’ll also cross paths with, and get on the shit list of, other villains. MODOK has a habit of making big promises and reneging on them, or cheating his customers out of money for various reasons. He has had at least one major beef with Dr. Doom himself, when the King of Latveria was interested in getting his iron gloved hands on the Cosmic Cube. But, as far as I’m aware, there’s no one hero that he has a particular beef with. He hates them all equally as inferior intellects to himself. Oh yeah, he’s always going on and on about how damn smart he is and how all other minds pale in comparison to him. He has a love/hate relationship with AIM, in that he loves using the group for their resources, tech and disposable minions, but hates them for failing him repeatedly. The AIM scientists also have love/hate relationship with MODOK, as he’s a fantastic computer when they can make him work right, and a homicidal maniac with no regard for their lives when they can’t. AIM has killed him twice and used his mostly brain-dead body for projects before reviving him on multiple occasions. Basically, if there’s an evil group that needs a lot of complex math done, MODOK is usually on their speed dial. The current MODOK is in fact a clone of the original that dubbed itself MODOK superior upon its activation.

 

A plastic toy version of MODOK, smiling evilly as he extends two grabbing arms to hold up his name.
This was funnier than people gave
it credit for.

As George Tarleton, he was just an above average scientist and engineer. Sure, he could work on a super Sci-Fi level, but he was no Tony Stark. After being horribly mutated, though, he gained real power. At the cost of significant atrophy to his human body, MODOK gained the world’s largest brain, along with several psychic powers. MODOK’s ability to understand patterns, computation, and gather data gives him a mind that can predict strategies and tactics so well it boarders on precognition. He wears a headband that greatly increases his psychic powers, allowing him to fire telepathic blasts, shoot a deadly beam of energy and generate force fields to protect himself from anything up to a minor nuclear blast. His atrophied body and enormous skull require him to wear an exosuit and remain in his flying “Doomsday Chair” to get around. The Chair can hover and is equipped with a variety of weapons that MODOK can deploy with a mental command. Most adaptations I’ve seen of him have him favor buzzsaws that can extend from the back. When he’s in good with AIM, he also has access to their moderate sized army, intelligence network, and technology to use as he sees fit.  

 

MODOK is a moderately popular Marvel villain. He has appeared in a number of TV shows and most recently was one of the antagonists of Ant-Man in Ant-Man and the Wasp: Quantumania. Like I stated in the opening paragraph, his depictions range from the extremely threatening to down right stupid.

 

MODOK was one of several recurring villains in Avengers: Earth’s Mightiest Heroes. This version is in charge of AIM, or at least of the various cells of the organization. He’s behind the technology of several villain groups, but most often allied with HYDRA. It was him and his team that transformed Simon Williams into the ionic energy being known as Wonder Man. Tony Stark had bought out his company and, while enraged, he’d sought out his brother Eric for help. Eric, aka the Grim Reaper, took him to MODOK. Brother of the year right there. It’s around this point that we learn that AIM is researching the Cosmic Cube for HYDRA. Well, sort of. They’re running the project, but no one believes it'll work and MODOK admits that it’s just a ploy to embezzle funds from HYDRA. That is… until they think it might work. MODOK tries to give the money they’d taken from HYDRA back, saying the project was a failure, but HYDRA doesn’t buy that. Everything comes to a head in “Hail, Hydra!” where AIM and HYDRA start an all out gang war in the middle of New York. AIM is rushing to finish the Cosmic Cube and HYDRA is rushing to steal it. Both groups are ultimately defeated, and the Cube deemed a failure as it didn’t grant villain Wolfgang von Strucker’s wish to conquer the world… but it’s implied that Cap’s touching it at the same time caused the Cube to burn out all it’s energy reviving Bucky Barnes. That’s the last we see of MODOK in the main light but he’s a background character in several episodes. This MODOK actually still goes by MODOC, but the C here stands for Conquest.

 

MODOK had a short-lived Hulu series named after him. This version of MODOK, played by Patton Oswalt, has a family and is trying to balance running AIM after a takeover by another evil corporation, Grumble, and being a dad/husband. His family consists of his wife Jodie, and children Melissa (looks like MODOK but in pink) and Lou (human but with a big head.) The series began with MODOK losing control of AIM to Grumble in an attempt to keep the group from going bankrupt, and with Jodie divorcing MODOK for not being a good spouse/parent. The majority of the shows plots revolve around either MODOK trying to get AIM back, or Jodie back and occasionally both at once. It never works out for him. I thought it was funny, but I guess it didn’t jive with general audiences since it only got the one season. But still, I’d say check it out for Gary alone. Gary is an AIM scientist whom is distinctive because ins the first episode, MODOK blew his arm off in a tantrum, so he’s the one armed AIM guy. He’s extremely chipper despite his severe injury and wants nothing more than to be MODOK’s BFF.

 

MODOK, played by Corey Stoll, his face poorly CGIed onto MODOK's huge body. He's smiling menacingly and waving with his little arm.
Of all the evil floating heads, I want
this one dead the most.

MODOK mad his big screen debut in Ant-Man and the Wasp: Quantumania. This version is in fact Darren Cross from Ant-Man. Turns out, after Scott Lang shrunk himself down to slip through the atoms and sabotage his Yellowjacket suit, he shrunk down into the Quantum realm. There, he was discovered, deformed, by Kang the Conqueror. Kang outfitted Darren with his armor, hover chair, and weapons, dubbing him MODOK. He serves as Kang’s main attack dog for the movie. It’s revealed that he was the one that picked up Cassie Lang’s quantum realm probe and used it to track her and family down and drag them all into the Quantum Realm. He has an intense hatred for Scott Lang and is hell bent on killing him for most of the film. He’s also routinely beaten by Kang, who clearly sees his usefulness as a minion but could care less about his personality. Basically every character that meets him has the same reaction. They see his face, “Darren? What happened!” and yeah, he’s a joke for most of the movie too.

 

Oh, and he’s one of the newest cards in Marvel Snap. Play him and he’ll destroy your whole hand. It’s a particularly useful combination with guys like Morbius, who gets increased power with discards, and Apocalypse, who returns to your hand but with more power. What? I like Marvel Snap.

 

MODOK is one of the weirdest concepts for villain in Marvel history, and that’s saying something. An evil psychotic floating head with the mind of a supercomputer but the general personality of a man. He’s visually quite iconic, with his head that size of a truck, little arms and legs and floating gold body. And he’s just so… inconsistent with how he’s presented. About half the shows I’ve seen him in have him as a true threat, a being of incalculable power and one that is more than willing to slaughter thousands to get his goals. And the other half he’s an idiot. Like… legitimately stupid. He can make mechanical marvels, technology far beyond what most humans could dream, but falls for a lot of really simple reverse psychology tactics when they’re used against him. Sure, those are usually in comedies like MODOK¸ but few villains could fit into a comedy mold as easily as MODOK does. Having psychic powers would be neat, but I can’t say that its worth it in MODOK’s case. Being turned into a head to get a super brain is just… lame. Folks that are complaining that the Quantumania version is somehow uniquely bad for him being mostly the butt of jokes and occasionally being threaten really need to watch more Marvel. The dude has been far more comedic and stupid than he was the altered form of Darren Cross, all I’m saying. Have a good night!


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Twitter: @BasicsSuperhero

Thursday, February 23, 2023

Viewer Log: My Hero Academia ep 107

 The dead have risen.

We’re going to do a few more episodes of My Hero Academia before hitting up Quantumania.

 

Last time on My Hero Academia, the past came back to attack the Todorokis. A villain from Endeavor’s past, the self-styled Ending, was released from prison and immediately set about a plan to get Endeavor to kill him. He’s got an obsession with being destroyed by Endeavor’s burning hatred or something. He kidnaps Natsuo Todoroki as part of this plan and took Trigger, a Quirk enhancing drug, to empower himself enough (he hopes) to force Endeavor to kill him. With Izuku, Shoto and Bakugo’s help, Natsuo is freed and Ending captured without killing him. Endeavor, knowing that Natsuo has (quiet frankly) legitimate issues with him despite this rescue, resolved to start his plan to atone for his sins. Namely, he’s building a house for his surviving children and wife to live in, away from him. He’s reached the point where he can admit that the only way he can truly help his family is by staying away to let them heal without him. Way to have some growth, Enji. Enough recap. Let’s get to it.

 

Iida sliding across the screen with his arms up as Aizawa, Kaminari and Sero watch bemused.
Shake those hips Iida.

         We open with Izuku and co returning to school after their winter break and Work Study with Endeavor ended. They only have three months left of the school year and are gearing up for their finals. Iida and Yaoyorozu, as class reps, greet everyone and let them know they’re headed to Ground Alpha to go over what they’ve learned. And that was before Aizawa even showed up. The students head out to the training ground while Aizawa is called to the staff room for some reason.

 

As the gals suit up, the others compliment Uraraka’s upgraded costume. They help her get some of the extra gear on and discover that she’s been carrying the All Might ornament that she’d gotten from Izuku’s Secret Santa present as a good luck charm. Ashido is extremely excited by this seeming confirmation of her ship, but Uraraka insists that it’s not like that and that she’s just keeping the ornament “safe” for now. Denial, thy name is Ochako Uraraka.

 

With the guys, Kaminari and the others are impressed upon learning that Izuku has gotten control of his new Blackwhip power. He says that he can only control it a little but it’s a strong power and he’s proud of it. This pisses off Bakugo… for some reason, and he hurls one of his explosion things from his mask at Izuku and tells him to shut it. This kid really needs anger management training.

 

They head out to the training ground, Izuku still out of it with the mask bit stuck in hiss head and are met by All Might. The former hero makes a pun about being the “symbol of sweets” as he makes them cotton candy,  but no one gets sit. They ask where Aizawa is and he tells them that Aizawa was called away on an urgent matter.

 

Bleak moments.

Aizawa and Present Mic, meanwhile, are racing in Mic’s car to Tartarus Prison. Both are looking extremely agitated by whatever news they got. Aizawa mentions that “he” wouldn’t have acted like he did at the USJ if “he” is who they think he is. Mic is in denial, saying that police got whatever information about this guy wrong.  They arrive at Tartarus and are brought to the lower level. Gran Torino and Detective Tsukauchi give them a re-briefing on Nomu. That they’re people that have been altered so their bodies can handle multiple quirks. The process leaves them as puppets, braindead in just about every sense of the word, only able to act on the orders of All For One and his allies. That’s what they thought, anyway. They’re brought in to see Kurogiri. They can get him to talk about trivial stuff, but if they bring up anything important about the League of Villains, Kurogiri shuts down like someone flipped an off switch. Tsukauchi explains that they’ve been examining Kurogiri. After a lot of analysis they were able to discovered what his original power was, the Quirk that had been enhanced and fundamentally altered by All For One. Their found that his base power is a close match to Oboro Shirakumo, a young man that apparently Aizawa and Present Mic were quite close to once, and who was declared dead years ago.

 

Young Aizawa and Present Mic with their friend Oboro, a blue haired young man. Aizawa is sitting at a desk, Oboro is standing in front of him and Present Mic is laying up against a window.
Nothing as sad as seeing a trio before they become
a duo.

We enter a flashback, where a young Aizawa, and Hizashi (Present Mic) were thick as thieves with Oboro. Oboro insisted on the three of them starting a hero agency together and seemed to be a really chipper fella. Hizashi was all for it, but Aizawa, being the buzz kill, said he need to think it over. We jump forward in time and learn from Aizawa that he was killed in a building collapse during their Work Study together.

 

In the present, Gran Torino explains that Kurogiri is a kind of Nomu. He’s a highly intelligent one, like the Hood, and that more than likely he was created using Oboro’s remains as the base. Present Mic, visibly shaken by this news, remembers that they were known as the Three Dumigos back in school and screams that this doesn’t make sense. Torino remembers a conversation with All For One, where he talked about attack UA made sense for him, since it potentially gave him access to a lot of highly tune Quirks to steal. To this day, I’m unsure if All For One can only do a direct transfer (take a Quirk in and then shift it to a new host) or if, like, once he has a Quirk he can reproduce it endlessly (take a Quirk in and give it to as many hosts as he wants). Torino thinks that he swapped out Oboro’s corpse and used it as a base for Kurogiri.

 

Aizawa, also unsettled, asks if they were really brought here in the hops their old connection with Oboro would trigger something and scoffs at the idea. Torino tells them that Miracles do happen and that intelligent Nomu seem to keep something of their original personality. He uses Hood for example, saying that the monster was hyper fixated on fighting strong opponents, and that matches the Man he used to be, a low level thug that loved MMA brawls. Aizawa points out that he fought Kurogiri and that he didn’t act like his friend, to which Tsukauchi says that might have been an experiment specifically to see if anything of who Kurogiri used to be would come out. They send the two in and ask them to reawaken Shirakumo in Kurogiri.

 

Kurogiri sitting in a chair. His body is tied down in a straight jacket and strapped to a chair. Across a plexi-glass divider sit Aizawa and Present Mic.
Looking at a nightmare and trying to see the friend
beneath.

They sit down opposite the drugged Kurogiri and Present Mic almost immediately gives up. Aizawa asks about Shirakumo’s family, and Tsukauchi admits they’ll bring them in next if this doesn’t work. Aizawa, clearly pissed at this, activates his power and vows to never let his parents see their son turned into something so disgusting. Kurogiri starts moaning as he wakes up. Present Mic notes that the black haze doesn’t disappear when under Aizawa’s gaze, meaning that it’s part of his body. Kurogiri asks what happened to Tomura Shigaraki. They admit that he hasn’t been captured, and when Present Mic asks why he cares, Kurogiri admits it’s his duty. This makes Aizawa visibly sick, as he remembered a time when Shirakumo adopted a stray kitten and looked after it, after Aizawa pointedly ignored it, and sees it as proof of Shirakumo’s nature hidden within the Thing he’d been made into.

 

Kurogiri doesn’t react to that statement and asks what they’re talking about. Aizawa remembers his friend, how he was always the one to jump head first into things. He was the firsts to befriend Aizawa, the first to drag him along on adventures and was the one that gave him his original goggles. Kurogiri still doesn’t react, saying this isn’t a church and he’s not a priest so he doesn’t get the confession. Aizawa, remembering the day Shirakumo’s body was recovered from the wreckage and mentioned that he’d jump headlong into things without regard for consequences. He tells Kurogiri that they’re teachers now and that he’s incredibly strict with his students. Torino mentions that he expels quite a few, but then Present Mic cuts in and says it’s only on paper.

 

This is where we get what feels like a massive retcon as we get a flashback to a previous years students talking about how they were “expelled” and how that it sucks even if they’re re-enrolled. With a meeting with Nezu, we learn that Aizawa asked specifically for the power to expel students from UA but then to immediately re-enroll them. He says it’s the “little death” that’ll help get them in the right mindset to avoid the big death. So, actually, Izuku had nothing to worry about in the first few episodes… and I guess no one told All Might the expulsion policy was just a scare tactic. Huh.

Kurogiri's black shadowed aura is blown back just enough to see a bit of Shirakumo's face visible in the cloud.
Some desires can overcome even death.

 

Aizawa in the present says he did it to keep students for throwing their lives away like he did for the sake of empty justice. But he still wants the students to be like him, to be heroes. As he talks, crying and showing Kurogiri his goggles, Kurogiri visibly starts to warp and distort. The police get readings of abnormal brainwave activity and they start asking Kurogiri about where the Nomu are being produce or where Shigaraki is. Aizawa demands to know where the monster who messed with his brain took him. Kurogiri starts warping even more disjointedly. He screams that he doesn’t know what they mean. His brainwaves flatten for a second and he returns to normal. He says that he’s Kurogiri and he is Shigaraki’s guardian and nothing they say makes sense to him… only for his brainwaves to go totally out of control and Shirakumo’s face to become visible through the black haze. They yell at Shirakumo, trying to encourage their friend to come back. He says it was in the hospital before returning to Kurogiri. The police thank them for this. Present Mic asks if his eyes are okay, and Aizawa says they’re just a little dry as he cries.

 

Later, Torino and Tsukauchi thank them for their help. Aizawa points out that Shirakumo seemed close to giving them more, but that he’s clearly short circuited after that little bit of info. Aizawa asks what the point is of making these monsters. Torino flashes back to when he asked All For One that very same thing, and he compares the process to making fine wine. To make it, you have to trample the grapes. Torino says that his sole concern is to ensure they’re no future victims. They drive off and Tsukauchi says that he’ll let the higher ups know.

 

Shigaraki strapped to a gurney. He's got some kind of machine hooked up to his stomach and brain. He's being painfully electrocuted, his body bucking up despite the restraints, and Garaki is watching from behind a window and cheering.
Oh, this is bad.

The chairwoman of the Hero Public Safety Commission gets the news and thanks him for it. Hawks then gets a call about someone rampaging in a hospital and requesting backup but tells the caller to get someone else as he’s busy. He’s in some kind of meeting with Twice. He goes out to get them drinks, and when he’s alone process the information and say that with “hospital” all the pieces fell into place. We then cut to the Doctor, Dr. Kyudai Garaki, pontificating about his perfect experiment. The “ultimate being” that he and All For One have sought out. We then see Tomura Shigaraki being electrocute and pumped full of some chemical, screaming bloody murder as it happens. He congradulates Shigaraki, saying he’d done well. Oh… this can’t be good.

 

This was a very interesting look into Aizawa’s past. Sure, finding out that he and Present Mic had this third best friend that they were inseparable with who died horribly during their school days is a little… out of nowhere, but it does give some context into Aizawa’s harshness. Yeah, if my best friend died horribly while still in training I know I’d probably go a little crazy on wanting to protect my students as an educator. Thought, again, the expulsion thing feels like a massive retcon. Either All Might didn’t read the entire file about the “whole class” Aizawa expelled the previous year (which doesn’t seem like him) or Horikoshi made a retcon. I do like how both he and Present Mic reacted to learning who Kurogiri used to be. The sheer horror and terror on their faces as they learn that they’re talking with whatever is left of their late friend was amazingly animated here. The fact that All For One was literally able to steal powers from corpses and/or reanimate the dead to serve him is terrifying on a whole new level. And that’s without the My Villain Academia arc context. Oh, yeah, I should mention that. For reasons I never found out, the My Hero Academia anime decided to show events out of sequence here. In the manga’s run, we actually got Shigaraki’s training and his recruitment and reconfiguration of the Meta Liberation Army BEFORE Izuku went over his Work Study with Endeavor. So all those scenes that seemed odd, like Hawks living in a mountain city with a mysterious obvious villains and the League of Villains working with a new group, all that jazz made sense when the Manga did it, because we had been shown how they got to that point already. No idea why they decided to do Izuku’s stuff first… maybe they thought it played better? Personally, I’d liked knowing what was going on with Shigaraki rather than just see him being tortured as part of some plan to make him more powerful. All I’m saying. Next time, villain context! See you there.

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Wednesday, February 22, 2023

Review: Black Panther: Wakanda Forever

 The King is Dead, long live the Queen.

Okay, finally, let’s get to Black Panther: Wakanda Forever. Sorry this took so long. Real life got real complicated for me during the end of November and all of December, so making this post was just not in the cards. And when we got to the end of January and I heard it’d be coming to Disney+, well, it just seemed like a good idea to wait and refresh myself. Wakanda Forever is the long await sequel to the 2018 film Black Panther. The film was delayed a few times, due to the tragic untimely passing of T’Challa’s actor, Chadwick Boseman, in 2020 of colon cancer. It was further delayed due to the script rewrites, as they’d decided not to recast T’Challa, and due to the Covid pandemic and actress Leticia Wright aka Shuri being an Anti-Vaxxer. I am so furious that Word recognized that word without me having to add it to the dictionary. This film is a tribute to the late Mr. Boseman and T’Challa, as we watch how the nation of Wakanda mourns its king in the face of a new threat. Let’s get to it, shall we?

 

Wakanda Forever poster, shows Shuri with her arms crossed in the Wakanda salute, with her mother, M'Baku, Okoye, and Riri. On the reverse of the poster is Namor, Attuma and Namorita in the water looking up.
Wakada Forever

The film opens with Shuri frantically working on a synthetic version of the Heart-shape herb. She prays to the Panther god Bast for the ability to heal her brother. She says she’ll never question Bast’s existence again if this can work. T’Challa is dying of an unspecified illness, but it’s heavily implied to be cancer. Believing the herb could save him, but not having any of the stuff on hand after her cousin Killmonger’s coup attempt, she’s attempting to 3D print a suitable replacement. She’s able to make some with only a 29.1% chance of working… only to have her mother, Queen Ramonda, come in and inform her of T’Challa’s death. A large funeral is held for the passing of King T’Challa. His coffin, furnished with his Black Panther mask, is carried off by the Dora Milaje as pall bearers through the city before being taken to one of their air ships and flown out for burial.

 

I give Marvel massive props for changing the usual Marvel Studios Logo, where they show a ton of clips from their previous films, to a ton of clips of Chadwick Boseman. Rest in Peace, Chadwick Boseman. You were taken far, far too soon.

 

A picture of T'Challa painted on the side of the building with Wakandan writing around it. Two women are playing drums.
Hail the King.

We jump forward one year. Queen Ramonda is in a UN meeting to discuss the distribution of Vibranium. The world governments want more, she tells them no, they’ll keep getting what she gives them. She makes it clear that she’s only doing the trade as is due to her late son’s wishes. We jump between this scene and a research facility just outside the Wakandan borders, where several soldiers burst in and demand Vibranium. A researcher points them towards a vault where the Vibranium tools are kept. Back meeting hall, Ramonda accuses the UN leaders of playing nice in public but in private whispering that Wakanda is weak now that the Black Panther is dead and no one is able to replace them. She assures them this is not the case. In the lab, the Vault is revealed to have several Dora Milaje inside, led by Okoye because of course she is there, and one of the researchers pulls off her wig to reveal she is also a Dora Milaje. Leave it to Marvel to make a Black woman reaching for her hairline a terrifying precursor to what is about to happen. The Milaje beat the ever loving hell out of the soldiers, using their Vibranium weapons to disarm and disable all the guards with slashes and shocks from their spears.

 

At the meeting hall, Ramonda has Okoye and the Dora Milaje bring in the captured French soldiers, as proof of what happened. She’s willing to let this one go, but warns them that another attack will not be treated as kindly. She knows that other countries are trying to find Vibranium deposits outside of Wakanda and wishes them luck.

 

Attuma, a large blue man wearing the head of a hammer head shark, leaping from the water.
Attuma's coming to get you.

We jump to the Atlantic Ocean where a research facility is looking for Vibranium in the deep sea. A pair of divers are dispatched at a potential deposit. They find a deposit, a big one, that chewed up the drill head. They’re ordered to bring up the Vibranium detector as it’s a prototype and the only one they have. The rig loses power, though, as security starts hearing an odd singing. The divers are attacked and taken out by something in the ocean. The facility is attacked, the crew jumping into the ocean seemingly at the behest of a Siren like song. The chief researcher and guard put in earplugs. They ask for a strike team to arrive and prep the chopper for launch. They make it to the helicopter just as a group of blue humans in clothes similar to what the Mayans wore. The researcher runs for it as the blue people swarm the base. She makes it onto the copter and it takes off. They only fly off a short way before they’re attacked by something that grabs the copter, swings it around and throws it into the water. Hi Namor.

 

Sometime later, we travel back to Wakanda. Ramonda’s ship flies into Wakanda through its river boarder. There’s a neat visual of the guards tapping a rhythm onto a control panel full of water to disengage the shield to let them in. We find Shuri in her lab, working hard on solutions to unknown threats, as Ramonda comes in. Her main project is working on an exo-suit for their army. Ramonda asks if Shuri has made any progress on recreating the Heart-shaped herb, but before Shuri can answer she gets a call from Nakia. Shuri tells her AI Griot to ignore the call. Shuri tells her mother they don’t need the herb or the Black Panther, they need new technology. Ramonda reminds Shuri that this is the anniversary of T’Challa’s death and that she wants Shuri to come worth her on a trip. Oh, and no tech, so no Komoyo beads.

 

Namor staring intently as Queen Ramonda.
The Queen vs. the Sea King.

They travel to the outskirts of Wakanda, watching some elephants pass. Ramonda tells her that this is a ritual to process their grief. Basically, they need to sit with their thoughts, to feel the spirit of T’Challa in the world around them. Shuri tells Ramonda that T’Challa wasn’t “there” like Ramonda thinks, but a construct that her mind created for comfort. She asks Ramonda if her construct brings her comfort or torment. They continue the ritual, which is to burn their funeral garments to end their mourning period. Shuri says she can’t sit and think about T’Challa too long or she’ll burn the world and everyone in it instead of her funeral clothes. Ramonda is about to tell Shuri something, but is interrupted by the elephants freaking out. A moment later, Namor raises from the water on his little winged feet. He compliments the two on Wakanda’s air, but asks why they would ruin it by revealing themselves. Ramonda demands to know who he is. Namor introduces himself with the name his people gave him K’uk’ulkan. For mythology fans, this is the name of a Mesoamerican deity, the winged serpent. He's a big deal. He also gives them his usual name of Namor. He tells them that the US used a machine to find Vibranium in the ocean, that they repelled the invasion into his ocean but he needs Wakanda’s help to stop them from looking again. He tells them that because T’Challa revealed Vibranium’s power to the world, it’s only fair that they help him deal with this problem. He tells them to get the scientist and bring them to him, or he’ll… retaliate. He gives them a shell, telling them to blow into it and place it into the ocean to summon him. He says to not mention him to anyone outside off Wakanda and walks off. Ramonda grabs the shell, and in the brief time they looked away, Namor dropped the scanner by their campsite. Damn. Ramonda says they need to gather the council.

 

Later, M’Baku comes in and immediately starts picking fights with everyone. That’s my favorite vegetarian. He’s told to be quite and they begin the meeting. They learn that Namor swam underwater, not tripping any sensors, for 100 kilometers. The council wants to do what he says, as they have no Black Panther to protect them. M’Baku, still a dick but a correct dick, points out that they’re only Panther-less because the council backed Killmonger and let him burn all the Heart-shaped herbs. He suggests finding the ”fish man” and killing him, as if they do what he says now, there’s nothing to stop him from coming back and asking for more.

 

Ramonda enters Shuri’s lab. Shuri has gotten the tracker working, it can detect Vibranium through heavy metals, water, anything. She goes on to explain the device uses a combination of custom parts and, weirdly, stuff that looks like it was scavenged from a junkyard. When Okoye, who came with Ramonda, expresses disbelief that Vibranium could exist outside of Wakanda, Shuri sets her straight. 70% of the planet is covered in water, so it’s actually extremely likely that other Vibranium meteor impacts would be in the ocean. Okoye wants to go find the scientist, but wants Shuri’s help. Ramonda is very worried about letting Shuri out, but Okoye insists that she’ll keep her safe. Shuri, who’d overheard everything, asks when they’ll leave so she can see her favorite colonizer.

 

In Alexandria, Virginia, Shuri uses a robotic bug to draw Everett Ross’s attention and lead him to them while he’s on a run. They ask about the Vibranium detector scientist. They confirm that they have no idea about the attack on the rig to Ross. They want to tell him what happened, but can’t… because Namor. Ross, because he owes both Shuri and T’Challa’s memory, agrees to help them, even though it’s his head if anyone finds out he’d helped them. He warns them they must be careful as well as fast as the US needs another machine and this kid is the only one who knows how to make one.  

 

It's revealed the person who built the detector is none other than Riri Williams, a MIT student. We join her as she shakes down a fellow student for the money he owes her for helping him with a robotics project under the table. Shuri and Okoye report in and inform Ramonda that the “scientist” is a student at MIT. Ramonda tells them to bring her in. Okoye and Shuri argue for a bit on who is going to grab Riri, Okoye agreeing to send Shuri in first. She has five minutes.

 

Shuri goes in and Riri immediately geeks out about meeting the Princess of Wakanda. She reveals that she built the machine for a metallurgy class more or less because he said she couldn’t do it. The professor must have turned it over to the CIA after she turned it. Shuri tells Riri she’s in danger, and that she needs to come with her right now. Riri tries to pull the “I’m just going to use the bathroom and escape out the window” trick, but Okoye, expecting this, was waiting in there already. That woman is so scary, but also weirdly hot. Riri tries to resist, but Okoye is not taking no for an answer. They convince her to leave.

 

They head out to Riri’s workspace. She fixes trucks for the Sanitation department and is allowed to use the garage for her work. She has to get her work laptop. Okoye is surprised that she’d just leave that sort of thing laying around, but Riri tells her that her encryption is extremely complicated. She locked herself out once and it took a whole semester and building a quantum computer to get in. Shuri looks at some off her schematics and asks if she’s building Stark Tech, just as she gets an alert that police are on their way. Okoye sends out a bead that implants itself on the hood of their truck. They bicker for a minute while they plan an escape. It ends up with Okoye taking Riri’s car, Shuri taking her bike, and Riri suiting up. The FBI break in just as Riri finishes getting into her Iron Man suit frame and she stuns them with a couple shots from her cannon. The women lead the Police and FBI on a chase across the whole city.

 

They head for an extraction point on the other side of the river. A surveillance drone is tracking them, but Riri finds it and flies up to shoot it down. She passes out a second later because she didn’t have an oxygen mask or helmet. She almost crashes into the river but recovers. They make it to the bridge, but Riri gets harpooned from someone in the water and Okoye and Shuri get hit with a water bomb that causes them to crash. Shuri uses an energy shield to soften her landing but she still hits hard. Okoye recovers first, makes sure Shuri is okay and stopping the blue people from stealing Riri. A squad off them arrive, having been dropped off by whales. One, Namora, goes to kill the witnesses, the cops, while the big guy, Attuma, goes to fight Okoye. Well, he sends his three guards to fight her, but she takes them down. Attuma orders his team to help Namora and the fight is on. Okoye is, well, Okoye, so she fights well, but Attuma has super strength. He knocks her to the ground but lets her back up to keep fighting. He ends up slamming her against his planed ax, dislocating her shoulder. She distracts him with a shock from her spear, and pops her shoulder back. She tries to keep fighting but is ultimately defeated when Namora walks over and throws water bombs at her, knocking her into the water.

 

Shuri, having awoken, demands to speak with Namor. Attuma and Namora agree to take her, giving her Attuma’s breathing mask to help her breathe. Okoye raises just in time to see Shuri taken away by whale. Damn.

 

Ross arrives at the bridge, and learns that his boss, Valentina De Fontaine, is also on the case. Oh no. De Fontaine chats with one of the cops on scene and Ross finds Shuri’s Kimoyo beads. He pockets them as De Fontaine tells him to give her a ride to Langley Falls, an 8-hour drive, but that’ll give them time to talk about the case and for her to apologize about some of the things she said when they were married. Ouf, the info dump.

 

Okoye returned to Wakanda to give her report. She asks to be sent out immediately to save Shuri, but instead, Ramonda fires her. Okoye begs to be allowed to make it right, but Ramonda refuses. She has a very public breakdown about how her entire family has been taken from her and how she won’t give up anything else. This is clearly something that Ramonda has been bottling up for years, just saying. Okoye is stripped of her rank, she plants her spear and walks off.

 

Ramonda goes into Shuri’s lab. She calls out to Griot and asks what he knows, she has him reach out to her Komoyo beads. Ross plays off the beads going off as his new ringtone to get De Fontaine to leave and asks what the hell is going on. Ramonda tells him a new power is at play, but that’s all she can say. He wants to help, however he can and Ramonda says she’ll keep him in the loop. She as Griot if he can track Shuri’s Komoyo earrings. He admits he lost track of her in the North Atlantic, but has discovered they were speaking Yucatec Mayan.

 

Ramonda travels to Haiti. Why? That’s where Nakia has set up shop since the Blip. She asks the former War Dog and her son’s former lover to help getting Shuri back. Well, first she guilts Nakia a little for not being at T’Challa’s funeral, but then onto Shuri. She asks who on earth would risk war with Wakanda.

 

Shuri and Riri wake up in an undersea cavern. Guards come in and tells Shuri to put on the royal robes they prepared for her. Shuri takes them, despite Riri’s fears, and departs with Namora.

 

Meanwhile, Nakia made it to the Yucatan Peninsula. She pretends to be an anthropology student looking into strange happenings. The woman she talks to is defensive but agrees to talk to her when she says she saw “him” too. The old woman tells her about a beach where K’uk’ulkan has been seen raising from, but warns Nakia not to seek him out as he’s existed for long than either of them. Other who have looked for him have been lost to the depths forever.

 

Shuri is lead to Namor’s chamber. He has some lovely Mayan style art painted on the walls and other artifacts. Shuri deduces that everything is in the style of 16th  century Mesoamerica and asks if he’s been alive for that long. Namor confirms that yep, he’s over 500 years old. She asks how, and he says “How is never as important as why.”

 

He explains his backstory. His mother and her people from their homes by conquistadors and disease. They turned to Chaac, their god of abundance and rain, for help. A shaman got a vision of an underwater herb, spouted from Vibranium, that when taken transformed their into people that could survive their new world. Namor’s mom was pregnant and didn’t want to take the potion for fear of what it’d do to her baby. The Shaman convinced her by promising that Namor would lead them as the first of their new people. The potion took away their ability to breathe air but gave them the ability to breath water. They settled underwater away from everyone. Namor’s mother birthed him, and he became the first born son of Talokan. See, you were probably wondering why I wasn’t calling the Blue People Atlanteans the whole time. That’s because Atlantis is just a myth here, as it is in the real world. Instead, we have the Mesoamerican themed secret underwater civilization, Talokan and the Talokanil. He describes himself as a Mutant, with the ability to breathe air like the ancestors, and to fly with his little ankle wings. When his mother died, Namor agreed to take her to be buried in her homeland. He found a plantation and Spanish slavers there. He had his people burn the plantation to the ground and they buried her on the grounds. That’s where he got his non-Talokan name, as a dying priest called him “The Child without Love,” “El Nino sin Amor.” If you think that’s a silly way to get his name, remember that Namor got his name specifically because it’s Roman backwards.

 

Shuri asks that Riri be turned over to her, offering to take Riri’s place as an insurance policy and send Riri to Wakanda. She admits to wanting to see Talokan. Namor, after faking her out about how she’d die in the ocean depths if she tried, outfitted her in one of the diver suits they stole and she gets brought to Talokan. Talokan is a beautifully lit underwater city. They use glowing stones to light the place and build their city in three dimensions, with basically every inch of space being put to some kind of use. They have a salute like Wakanda, too. While the Wakanda salute is to cross your arms over your chest, the Talokan salute is to hold their hands open like an open clam shell. Their city is lit primarily by a giant chunk of Vibranium that they use as an artificial sun.

 

Nakia arrived at the beach and got a signal from Shuri’s earrings. She finds the entrance into Talokan and sends a remote control sub to track Shuri. Nakia reports to Ramonda, who tells her to get Shuri out any way she can, and that she will try to draw Namor out. Nakia seals her helmet, dives in and gets into her underwater vehicle.

 

Namor, trying to earn Shuri’s favor, gives her his mother’s bracelet. They bond a little over the deaths of their loved ones. He tells her that a saying from his ancestors is “only the most broken people make great leaders.” Shuri tells Namor that she won’t leave without Riri and won’t allow her to be killed. They need to find a peaceful solution. Namor, instead, thinks that they a war with the surface world is inevitable and that he wants to know if Wakanda is friend or foe. He promises her that if they aren’t friends, they’ll be the first nation to fall. They’re interrupted by Namora telling Namor that he’d been summoned. He offers to burn the world together with her as he leaves.  

 

At CIA headquarters, Ross is trying to put out fires with Riri’s disappearance. Ross is informed that the president wants to begin retaliate, to destabilizing their government. And I laugh to myself at that plan. Ross wants to buy time and then informs Wakanda what’s happening.

 

Namor goes to meet with Ramonda. She asks if Shuri is alive. Namor tells her she is and Ramonda asks what she can do to get Shuri and Riri back. She threats to tell the Americans about them if they aren’t turned over to her. Namor promises to kill Shuri and Ramonda if she tries.

 

Shuri returns to Riri and lets her know what happened. Shortly thereafter, Nakia arrives and start taking people out. She is so cool. Shuri wants to save the Talokan guard, but Nakia tells her it’s now or never. They escape, despite this meaning war with Talokan. They hit the surface and are picked up by Ramonda’s ship. Mother and daughter hug and they head home.

 

Namor arrives and gets told by the dying guard what happened. She dies and Namor vows revenge. He gets into his full sea king regalia and descends into his shark tooth throne. He preps his people for the war to come.

 

Shuri arrives back at Wakanda and begins prepping for the assault. Aneka, one of the Dora Milaje from earlier, arrives to greet her. They discuss what happened to her. Shuri says that their underwater empire is beautiful but the Talokanil are dangerous. Ships fly out to do sweeps, and Talokanil are already in the river waiting.

 

Namor leading his soldiers on their attack on Wakanda.
Attack!

Everyone enjoys the moments breather. Riri is shown around Wakanda by Ramonda, and Nakia meets with Okoye, who is living out in the city. They hug and go to talk. Okoye admits that her leaving after Thanos’ attack hurt, and Nakia admits that she had to stay away because losing T’Challa wasn’t just her king, he was her everything. Their conversation is interrupted by sudden flooding followed by a tidal wave. Ramonda tells Shuri to stay in the lab, but she… hangs up on her and she and Aneka get into one of their ships to provide air support. The Talokanil attack, being drawn in by their attack whales. While the city is being flooded, Talokanil use their hypnotic voices to make EMT’s jump into the river. Ayo, the current captain of the Dora Milaje, gets her people to plug their ears and save a few of the EMTs. M’Baku starts fighting Talokanil soldiers, easily beating one and doing his gorilla chest beating. Meanwhile, Ramonda and Riri use the throne room controls to send the relief ships.

 

Namor arrives, and we learn that they intentionally drew defenses away from the palace to give Namor an opening to attack it directly. M’Baku, having spotted Namor coming to shore, goes to attack him. The Jabari breaks his club on Namor’s arm, and Namor shatters his breastplate with a punch, knocking him into a building and out. The ships arrive and start shooting at Namor but he leaps into the air and slashes at them with his Vibranium spear. I love how they animate his movements in the air. It’s less like flying and more like he’s leaping around on invisible walls. Shir and Aneka arrive and she shotos at Namor. He dives into the water and rockets away underwater. He gets under the ship and stabs the cockpit, causing it to crash.

 

Namor arrives at the palace and stabs at Ramonda through the glass. Nakia and Okoye find and retrieve Shuri and Aneka. Ramonda tells Shuri to run, just before Namor flies back and lobs water bombs at them. Ramonda wakes up first, swims down and saves Riri. Nakia and Okoye arrive in time to pull Riri and Ramonda out of the water. He tells them that he’ll return in a week. They can either fight with him or die. He tells Shuri to bury their dead and mourn their losses. They’re able to revive Shuri, but Ramonda is dead. M’Baku is the only think keeping Shuri from running to her and getting in the way as they tried to revive Ramonda.

 

They hold a funeral for the queen. M’Baku goes to speak with Shuri in private. He reveals that T’Challa asked him to try to advise and protect Shuri before he passed. He asks her for her advice, though, revealing that the elders asked that the capital be evacuated to Jabariilands. Shuri sarcastically responds that he’s coming for the advice of a child, and he tells her life has taken too much from her to be a child. He leaves her to think.

 

Shuri returns to her lab and take’s Namor’s mother’s bracelet.

 

Ross, meanwhile, has La Fontaine in his kitchen. She reveals that she’d had the Kimoyo beads bugged and she knows everything. He tries to stick up for the Wakandans but he ends up arrested.

 

Riri and Shuri try to think of a way to defeat Namor. They know they have to find a way to weaken him. Shuri takes the bracelet and has Griot analyze it and compares it to their artificial Heart-Shaped herb. At the same time, she and Riri examine Namor and realize that he’s physiologically different from the other Talokanil. They theorize that rather than gills, he gets oxygen directly from his skin. They theorize that, because he had to dive back into the water before attacking again, that he needs to hydrate to stay strong. She sends Riri to build a device to dehydrate Namor. Okoye is tasked to wear Shuri’s new armor, the Midnight Angel. Okoye hates the name and the look but is willing to help. She learns that two suits were made, so she grabs Aneka to wear the other one. Riri also takes time to build armor for her exosuit, finishing her first Iron Heart armor. Shuri finally gets the formula right, or 97% right.

 

Nakia goes to speak with her. She’s impressed that Shuri has figure out how to return Wakanda’s protector. They hold hands a Griot prints the herb. He does and it starts to glow, the sign that it works. Shuri takes the herb with Nakia and Riri watching her. Shuri wakes up in the throne room underwater. She swims up, and finds someone sitting in the throne. She hopes its T’Challa, but instead… it’s N’Jadaka, Killmonger waiting for her.  He tells her that he’s hear because she wanted him to be. She wants vengeance, and he’s the ancestor that best represents it. She calls him the Unworthy king. He responds that he’s the only King that actually did something. All the kings before him, and he admits T’Challa, stood apart from the world and were thus cowards. The throne room starts to burn as Shuri gets angry at the wraith of her cousin. She accuses him of causing all that. Killmonger asks her if she’ll be noble like T’Challa, or take care of business, like him.

 

Shuri in her Black Panther mask.
A new Panther.

Shuri wakes up and claims to have not seen anyone in the Ancestral Plane. Shuri feels abandoned by her family and angrily punches a dummy, revealing she does in act have the strength of the Black Panther. Shuri suits up. She arrives in Jabariiland and presents herself as the Black Panther. So it’s going to be the Black Panther, the Midnight Angels, Iron Heart, and Wakanda vs. Namor and the Talokanil. Watch to see how the fight goes.

 

…

 

…

 

…

 

In the end, Shuri flies out to Haiti to visit Nakia. She is able to burn her funeral garb from T’Challa’s funeral. Finally willing to step forward, she’s introduced to Nakia’s son. He introduces himself as Toussaint, but then tells Shuri that’s just his Haitian name. His real name… Prince T’Challa, son of King T’Challa.

 

Okay, good first. Despite my feelings toward her vaccine stance, Leticia Wright is quite impressive as Shuri. Strong but conflicted, smart but angry, and just trying to fill the hole in her heart where her family were. Angela Basset is AMAZING as Queen Ramonda. She has two modes in this, Queen Ramonda, leader of Wakanda (Hat on), and Ramonda, the tired mother that is still grieving for her recently deceased son (hat off). She got award nominations for this performance and damnit she deserves it. I especially liked her breakdown in the throne room. So often, the plot of a film is largely self-contained. Getting acknowledgement that Ramonda remembered that most of her allies backed Killmonger and this very well could have been the first domino in her son’s untimely death, was a powerful moment. I especially liked that her last act was telling Riri to run and ultimately saving Riri at the cost of her own life. Ramonda was a warrior, (literally, she was a Dora Milaje) and she was smart enough to know that Riri would be too important to risk dying. Tenoch Huerta Mejia is great as Namor. He’s powerful, cunning, and absolutely ruthless. I think changing Namor and his people from citizens of Atlantis to Talokan was a very smart call. It gave the sea king and his people a look distinct from the usually vaguely Greek undersea kingdoms we’ve seen before. Plus, giving him the bracelets and Vibranium collar around his neck is way better than classic Namor’s look, which is just the speedo. I also appreciate that the whole movie is a love letter and goodbye to T’Challa/Chadwick. They did their best to honor both the character and man in the best way they could given the circumstances. I liked that they didn’t try to CGI him in or use a body double. No, T’Challa is dead but not forgotten.

 

The bad is minimal, but there. Ross’s whole plot seemed to just be there to give Shuri and Wakanda one clue and then to ex-patriate him. Look, I get Martin Freeman is a probably expensive, so they wanted to give him plenty of scenes, but they could have just cut him. I also think the film suffers a little from basically being a retread of Black Panther. I think they want Shuri in a similar place, mentally, that T’Challa was in so they can continue doing whatever stories they had planed for him but with her in his place. So, we have the conflicted ruler that has to decided between the traditional isolationist movement or the progressive inclusion movement. She needs to be angry with a deceased parent that she feels like she failed, and she needs to constantly be questioning if Wakanda part of the world is better than Wakanda alone. The design for the Midnight Angels suits is pretty bad. Okoye is 100% correct on that. And the final battle is underwhelming. Not Shuri v. Namor, that’s cool. The battle on the Sea Leopard was just kind of so-so to me.

 

Oh, and I totally guessed that Nakia had had T’Challa and her son in secret during the Blip with the first scene that mentioned her. Of all the reasons for an MC’s woman love interest to disappear for several years, secret baby is on the tippy top of that list. I’m glad that they made it canon that T’Challa got some time with little T’Challa before he passed.

 

Overall, I like Wakanda Forever. It was a nice way to say goodbye to T’Challa and Chadwick Boseman, honoring them and leaving the door open for the story to continue. My money is on them having Prince T’Challa taking over as Black Panther in a few years and that he’ll be the T’Challa to have a romance with Storm and some of the other T’Challa plots in the MCU. Namor was an excellent antagonist, cunning, powerful, and fully capable of growing beyond those negative traits if they want him to be more heroic going forward. A key character trait of Namor is being a dick, though, so don’t expect a full heel-face turn. Shuri being forced to deal with her grief and learning a little spirituality so she can be the Black Panther was a nice story to follow, even if the original sounded better. The story, had Chadwick Boseman not died, would have centered around T’Challa the Elder doing his best to bond with T’Challa the younger while dealing with the king beneath the sea. I like father and son stories, so sue me. It has me excited to see where Wakanda will go from here, where Iron Heart will go from here and Namor, too. Solid movie overall, just dragged down a little by a feeling of retreading old ground and a few unnecessary plots. 

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Twitter: @BasicsSuperhero

Tuesday, January 31, 2023

Viewer Log: My Hero Academia ep 106

Endeavor takes a big step forward.

Last time on My Hero Academia, Endeavor got introspective. Japan’s top Hero is wrestling with how he can help his family, as things are still difficult with his sons. To try to do this, he takes Shoto and the other two to a dinner at his house. The food is great, but things are incredibly awkward as Endeavor’s older son, Natsuo, is still incredibly angry with him. After dinner, his daughter, Fuyumi, admits that she also can be mad at their dad but wants to try to fix things if they can. Shoto is, shockingly, still not sure where he sits. Bakugo yells at them for having this kind of deep conversation while guests are over, and Izuku tells Shoto that he thinks his friend is ready to move forward. Endeavor, having overheard this, prays at the family alter to the memory of his oldest, Toya, and wishes that he could be part of a dream Endeavor has about his family having dinner together. After the credits, a shifty looking fellow seems to be setting his sights on Endeavor. Enough recap. Let’s get to it.

 

Ending, a man dressed in striped black and white, covered in white lines, one of his eyes is visible but is pupil-less.
True psycho.
We open with a flashback. Endeavor had just captured a villain and had been showing his insecurity by asking the cop he was talking to if he wished All Might had gotten the call first. Dude is just a ball of anger and insecurity, I swear. He walks out and a creepy man fixates on him as he walks past the reporters. He calls Endeavor a star in human flesh and is weirdly worshipful of him. In the present, he claims that Endeavor is his only hope, and that he had hoped Endeavor would kill him seven years ago, but is infuriated that Endeavor took him alive. He believes that a man should get to choose his end and it seems like he really wants to be immolated. This guy, credited as Ending, just got out of jail and immediately started stalking Endeavor in order to get his ending. He sees Natsuo leave the house and takes a Trigger injection. Oh no.

 

Izuku and Fuyumi shaking hands.
If she didn't have the red in her hair, I'd really
question how Endeavor is her dad.


Back in the house, Endeavor is still praying at his shrine to Toya while Shoto and Fuyumi explain their family history. Namely, that Natsuo hates their dad so much because he was incredibly close with their oldest brother Toya and that he died shortly after their mother was hospitalized. While Rei has been getting better, there was a time when she couldn’t even see Shoto without having a panic attack, Natsuo is slower to heal. He blames his father for Toya’s death and the implication is that its not without justification. Endeavor enters and tells the boys it’s time to go. The group heads to the car, Bakugo demanding to get a Tofu recipe from Fuyumi, and Endeavor thanks his daughter. Fuyumi thanks Izuku for being her brother’s friend and they head out.

 

Natsuo reaches his apartment when the sidewalk’s pavement markings rear up and attack him. Oh no.

 

Ending tangling Natsuo in white lines. Natsuo eyes are visible and he looks terrified.
I wonder what number of kidnapping this is
for Natsuo.

On the drive, Endeavor tells the boys he wants them to progress faster. He wants them to shift their schedules so they can do some Work Study work during the week. Feels like that might cut into class time... but kay. Bakugo yells about the cramped car and the driver yells back about ungrateful kids to their free ride. They’re drive is interrupted by Natsuo being used as the end of a flail at their car. Endings, whose power seems to be to manipulate sidewalk paint… kay, attacks them using the traffic lines. Endeavor, furious, leaps out of the car and charges Ending. The creepy stalker demands to know if Endeavor remembers him. Endeavor does, and that makes him so happy. He claims that he admires Endeavor for having all the things that he never had, could never have, not in a million years. He wants Endeavor to kill him, and is willing to kill Natsuo to get Endeavor to react. Threatening a man’s son… well, yeah, that would get me to want to incinerate him, that’s for sure.

 

Meanhile, Izuku and company break out of the car. The driver unleashes their equipment from the trunk and the boys get their gear on. They’re immediately attacked by sidewalk paint. They remember Endeavor’s advice to focus on extremely precise or extremely destructive power and start blasting the paint. Ending runs and Endeavor pursuits. Endeavor nearly catches up but then sees Natsuo’s look of horrified terror causes him to freeze up. The boys catch up and Ending is infuriated. He tells Endeavor he needs to kill him quick or more people are going to die. He throws a bunch of cars into the air and nearly has Natsuo hit by a train. Bakugo saves Natsuo using his speed and Izuku saves the car with Blackwhip. Shoto slides him and hits Ending with an icewave, knocking him back and presumably out. Endeavor breaks out of his fugue at this point, runs over and hugs Natsuo. He gets Bakugo too, but that’s I think mostly because he was holding Natsuo up. Disgusted by paternal affection, Bakugo slithers away and demands to know what happened to Ending. Shoto caught him in ice. He’s quite upset. He then demands to know if the “extras” are fine, which Izuku confirms. Bakugo is very smug about having fulfilled Endeavor’s challenge to beat him to a villain just once, but he’s too… emotional about his son to be mad. Endeavor apologizes to Natsuo, saying that he hadn’t meant to neglect his family, that he ran from his problems and let that happen. And that, whatever happened to Toya, he feels that he may as well have killed Toya himself. Natsuo says he won’t forgive his dad, as he’s not kind like Shoto, but there are tears in his eyes as he says it. He says he won’t forgive him. Endeavor says he doesn’t want forgiveness, he wants to atone. Natsuo demands to know what he could do, and Endeavor says he has an idea. Meanwhile, Ending is having a freak out, begging Endeavor to get mad, to flare up and kill him with his fire. Endeavor is 1000% not listening.

 

Natsuo sitting on the street, his father, Endeavor, kneeling before him.
Endeavor is always in a glass case of emotions, it seems.

Later, Endeavor learns that Ending used Trigger to boost his powers. His driver tells him he’ll need to be more careful as this is the second attempt on his life in two days. Natsuo, standing with the boys, asks Bakugo what his hero name is, and Bakugo confirms he actually has one now. But he won’t tell Izuku, or anyone, as he has someone to run it by first. Endeavor thinks that Hawks has sharp eyes, indeed, which causes Hawks to sneeze where he his in the Meta Liberation Army headquarters. How sweet.

 

After the credits, Endeavor brings Natsuo back to the house and let Fuyumi know what happened. Endeavor also lets her know about his plan to start atoning. He knows that Fuyumi is working on getting Rei discharged from the hospital and live a peaceful life. He also knows that bringing her back to the house will probably only remind her of the worst days of her life, and that probably isn’t a good call. He tells her that he’s going to build them a new house, one that’s more convenient to her and Natsuo. He tells her to prepare to move. She asks what he’s going to do. Endeavor remembers his dream about his family having a peaceful domestic moment together at the dinner table. He asks himself again, what can he do for his family? His solution… to stay away. He tells his children that he’ll stay at the house and the credits roll.


This is a solid conclusion to this mini-arc about Endeavor trying to find a way to help his family. Having a stalker villain from his past, one that adored his fiery personality and so badly wanted to be destroyed by his heat, was a nice touch to show how he’d grown. Is it on the nose to have a villain shout at him to get mad, to get fired up and burn him, to show that he isn’t that guy that gets fired up and burn people anymore? Yes, but it works. I liked the heart to heart he had with Natsuo too. The one good thing, saving his son, doesn’t undo all the anger that Natsuo is still feeling, but it seems like it’s the important firsts step to maybe get there some day. I like the focus on atonement over forgiveness. While we still don’t know what happened to Toya, its clear that however Endeavor was involved, it either directly or indirectly lead to his death. That’s not something one should be forgive for, but trying to make the world better, or at least the lives of his family better, to try to balance the scales I think is a good call. His solution is a good one too, I think. Not for him, obviously, but trying to give them all space so they can possibly move forward I think is the right call. It’s really hard to analyze one’s feelings without a little distance. It was also fun to see Bakugo get so smug about meeting Endeavor’s challenge, only to be deflated when he realizes that Endeavor is too overwrought with paternal feelings to react is great. Next time, finally, Wakanda Forever. See you then!

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Monday, January 30, 2023

Viewer Log: My Hero Academia ep 105

 A dinner party at the Todorokis? This is going to be so awkward!

Last time on My Hero Academia, Uraraka and Tsu went on a filler adventure. They, along with their hero mentor Ryukyu and fellow Work Study senior Nejire teamed up with Tsu’s old mentor Selkie to track some smugglers. The smugglers were moving ingredients for the Quirk enhancing drug Trigger. The smugglers almost escaped on a plane but Uraraka got onboard and took out the last of them. The plane almost crashed, but with help from Nejire and Ryukyu she landed the plane. After, the girls had a beach party. Meanwhile, a man in white is told that their shipment was captured. He isn’t concerned as they have enough Trigger for their plan. This leads into the third My Hero Academia film, World Heroes Mission. Enough recap. Let’s get to it.

 

We open with Izuku on his hero beat. A mugger steals a man’s briefcase and Izuku and company head out to help, but Endeavor literally blows past them and takes the guy out with a knee to his gut. Like, dude, you could have let them have that one and just not have it count since the dude didn’t show off any powers. Anyway, after that the student and Endeavor head out to check out a hit and run, Endeavor solving it before the boys even get there. Endeavor tells the boys to go home and get some sleep, they’ve got an early day tomorrow.

 

Bakugo, Todoroki and Izuku watching Endeavor capturing scaffolding in midair.
Heavy Lifting!

Later, Endeavor heads into his office, sees the Meta Liberation War book and remembers the key details about the 100,000 force that will be attacking in a few months. He’s interrupted by a call from his second child, and only daughter, Fuyumi. Fuyumi, still trying to make her dysfunctional family work, suggests that he bring Shoto and his other Work Study students around the house for dinner. Endeavor obviously says that he will, but then muses about how he can help his family. I guess he’s gone through enough of a personal arc to acknowledge that he’s the root cause of nearly all the Todoroki family problems, if he’s thinking about that. He remembers a dream he’d been having recently of his wife Rei, and their living kids, Fuyumi, Natsuo, and Shoto, enjoying a meal together. I give him props for acknowledging why he knows he’s never at the table with them. We get a flashback to when Rei had her nervous breakdown and threw boiling water at Shoto’s face to burn away his father’s side. We then jump ahead to when Endeavor learned via Fuyumi that Shoto was visiting Rei in the hospital. Fuyumi, rather optimistically, predicts that one day their family will be whole again. He then remembers Natsuo screaming at him for being an abusive asshole. His train of thought shifted to his conversation with All Might about what it means to be a symbol, and how All Might advised him to think about the kind of hero he wants to be. He’s pulled out of his thoughts by Burnin who tells him there’s an emergency.

 

The next day, Izuku, Bakugo and Shoto get up and head to the front of the building to go on patrol. During their Work Study, they’re staying at the dorms in Endeavor’s agency office. They chat for a bit about their training before Endeavor arrives and they set out. There’s a montage of the boys getting to scene just after Endeavor solves the problem. He advises them to constantly be observing, to act before thinking. That evening, Bakugo and Izuku are annoyed they haven’t caught up but Shoto points out they are doing better. Endeavor, thinking about Fuyumi one more time, sets his mind and takes the three boys to the house for dinner.

 

Shoto Todoroki, Izuku and Bakugo having dinned with Endeavor, and Shoto's siblings Natsuo and Fuyumi
Most. Awkward. Meal. Ever.

Bakugo is obviously angry. Fuyumi greets them, Izuku is a dork as he introduces himself and Bakugo is seething with rage at having to be here. She leads the boys to the dining area and introduces them to Natsuo. The dinner is super awkward as Natsuo, and Endeavor are still not talking. Izuku and Bakugo actually start having a good time eating. Natsuo mentions that Fuyumi has been doing most of the cooking at the house for a while, and she pipes in to say he used to cook too. Shoto asks if he’d had his brother’s food before, which Natsuo says is possible, but Endeavor did watch his diet carefully. Endeavor, trying to reach out to his second son, says that he’d like to try Natsuo’s cooking some time, but Natsuo abruptly leaves. I guess he just agreed to be there for food, not socializing or dad forgiving. Dinner finishes and Endeavor starts doing the dishes. When alone, Izuku asks Bakugo is he realized that the Todoroki’s have a lot of issues, to which Bakugo says yes but he learned this information against his will. They overhear Fuyumi and Shoto talking, Fuyumi admitting she gets angry at their father too, but she’s trying to use the opportunity to fix things. Shoto isn’t sure if he can forgive their dad after all that happened. We get a couple more seconds of what happened after Rei through the water at him, and it seems like she immediately realized what she’d done and begged his forgiveness as she helped him with the burns. We learn via a flashback to a letter that Rei is doing better and is hopeful she can live with her children again someday. Shoto admits that he doesn’t know what he wants from their dad yet. Bakugo, infuriated, opens the door and yells at the Todoroki’s for talking about such sensitive subjects when guests are over! Izuku and Bakugo gather more dishes, Izuku taking a moment to tell his friend that he thinks Shoto is ready to move forward with his dad, that doesn’t mean forgive hm but maybe he can. Both Natsuo and Endeavor overhear as well.

 

Endeavor kneeling before an altar, a picture of his oldest son framed between two candles.
Some mistakes you can't make up for.

We cut to Endeavor praying at a small family altar. This is a tradition in Japan, burning incense for the people that you’ve lost in your life. The altar has a picture of a white haired, blue eyed boy whom is revealed to be Toya Todoroki. Endeavor again asks what he can do for his family, and that he wishes that Toya could be at the table with their family like in the dream.

 

After the credits, we see a man covered in bandages walking through a shopping district. He sees a news report about Endeavor and smiles evilly.

 

I believe I said this before in the last Endeavor focused episode, but I really like how Horikoshi is handling his development. Endeavor was a monster, a blight on his family that caused a ton of physical and psychological damage to people he should have protected above all else. He fully acknowledges that at this point and seems to want to find some way to make amends. But he’s not asking for forgiveness. He knows that he can’t fix his past actions but he wants to do better in the future. I know I’ve said this before, but Horikoshi could have easily left Endeavor as a hatesink with no redeemable or admirable qualities other than his overwhelming power. Instead, he is showing us a man that is actively, desperately trying to change and right some of the wrongs he’s committed in the past. And, yeah, I appreciate that all of his children seem to be having mixed feelings about him. Fuyumi, who probably remembers her father not being a colossal dick all the time better than the other two because she's the oldest child of the three, is reaching for that memory of her parents when they were happy. Even if she can admit that she gets why her brothers struggle with it. Natsuo is obviously still wrestling with his resentment, an anger that must feel even more complicated after the fight with Hood and he saw his father fighting valiantly. And Shoto, the one who has probably seen their father change the most and yet still isn’t sure if that’s enough. It’s complicated, like family tends to be. Makes you wonder how Toya would feel, were he still around. What? The relationship drama enhances the brawls, that’s basic storytelling. I’m not apologizing for getting sucked into this weird little drama. Oh, and it is hilarious that Katsuki Bakugo is the one that seems most annoyed by the breaches of host/guest etiquette happening at this house. Classic Bakugo. Next time, we’ll see Endeavor make a little more progress. Have a good night!


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